If you’re recording in a room that’s less than ideal, room resonances can quickly build up.įind these resonances using the boost-and-sweep technique and then remove them with a narrow cut. I find they usually work best at the very beginning or end of the plugin chain. These simple tools are a staple of the vocal mixing process, and required in at least 80% of cases. To counteract this problem, a de’esser can be used. When you start boosting the top-end, the vocal can start to sound more sibilant. Just make sure it doesn’t become too harsh or brittle. You can go as low as 6kHz (but keep it subtle) and boost as much as 5dB above 10kHz. Use a high shelf, and start with a 2dB boost at 10kHz.Įxperiment with the frequency and amount of boost.
The best way to do this is with an analogue modelling EQ, such as the free Slick EQ. When using a more affordable microphone, you can simply boost the highs to replicate this characteristic. Most boutique microphones have an exaggerated top-end.
This is perhaps the easiest and fastest way to make a vocal sound expensive. Once you apply these ten techniques, your mixes as a whole will improve. In most genres, the vocals are the most important part of the mix.Įspecially in modern pop styles, there are a number of techniques that make a vocal sound modern, expensive and professional. Be sure to read our “Home Recording 101” Survival Guide for more insight!
